Corinne Mynatt is a writer, editor, consultant and producer, working across design, architecture, art, tech, food, and film for cultural and commercial clients. She develops strategies and concepts across creative sectors, including editorial outputs, curated commissions, research and event programmes. She draws from her practical and theoretical experience in these disciplines, working with an international network of designers, artists, architects, and strategic thinkers across the UK, Europe and the USA.

Currently Corinne is producing the conference to accompany the 5th Seoul Biennale of Architecture and Urbanism, under Director Thomas Heatherwick. She is also managing a VR & immersive installation based on Geoffrey Bawa’s Lunuganga garden in Sri Lanka. Recently Corinne was Managing Editor of All Media is Training Data (Serpentine & Koenig, 2024), profiling the work of Holly Herndon & Mat Dryhurst, and their cultural governance of new AI models. In 2022, Corinne co-curated the Interspecies Future Symposium for LAS Art Foundation, and co-edited the resulting book Interspecies Future: A Primer (Distanz & LAS, 2024), launched at the Venice Biennale. She is author of the book Tools for Food: The objects that influence how and what we eat (Hardie Grant, 2021), subsequently translated into Japanese and Italian. This research expanded into short-form documentaries of tool-producing workshops across the world. Corinne works as Film Producer for Kraft Isono Films, whose documentaries about the architects Geoffrey Bawa and Jørn Utzon, screened worldwide until 2024. She is a contributing writer to various design and culture magazines, whilst simultaneously developing publications, research initiatives, and film productions.

Corinne studied Fine Art at Pratt Institute in New York, and at Central St. Martin’s in London, before completing a Masters in Contextual Design at the Design Academy Eindhoven. She is based in London, often working from Europe or the USA.

E: cm@corinnemynatt.com
I: @corinne_mynatt & @tools_for_food

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